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Read this FAQ before applying to The Emerging Black Composers Project

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SFCM answers some frequently asked questions about submissions

January 26, 2021 by Tim Records

February 1 is the deadline to submit to The Emerging Black Composers Project. Check out the list list of questions below before applying.

What is The Emerging Black Composers Project?
A ten-year initiative between SFCM and 杨贵妃传媒 Francisco Symphony fueled by a $250,000 gift to the Conservatory developed in partnership with the SFCM President鈥檚 Advisory Council on Equity and Inclusion, the project will spotlight early-career Black American composers. Winning composers receive a $15,000 commission, workshops and performances at SF Symphony and SFCM, as well as mentorship from a trio of Bay Area Music Directors: Michael Morgan, Edwin Outwater, and Esa-Pekka Salonen. Learn more about the Emerging Black Composers Project.

How much detail does my proposal need?
There鈥檚 no one-size fits all answer to this, because ultimately it鈥檚 up to you how much detail you want to share. Here鈥檚 another way to think about it: 鈥淲hat鈥檚 the best way to convey your ideas to the panel?鈥 Include your answers in the submission form.

Do I need a degree in composition to apply?
No. If you have equivalent experience as a composer, go for it! Even if you鈥檙e not sure, we鈥檇 encourage you to still apply.

I don鈥檛 compose classical music. Can I still apply?
Yes! While SFCM and SF Symphony were originally established as classical music institutions, our collective missions have been to bridge gaps between communities, which includes genres. While our application asks you to make a distinction between jazz ensembles and other traditionally 鈥渃lassical鈥 ensembles, that is only to give us an idea of what your proposed instrumentation is鈥攚e are not promoting any agenda toward a specific style or genre.

If selected, how many workshop opportunities will I have with the ensemble?
This will depend on the ensemble you end up working with and your availability. At minimum, your work will receive an initial reading鈥攊n-person and/or recorded鈥攖o allow for your revisions. Once rehearsals are underway, smaller adjustments can be discussed with the ensemble鈥檚 director.

For more information, or contact Bryan Lin ( oyva@fspz.rqhude.mcfs@nilb ).